The artistic collection “Where Wet Things Think” emerged through the combination of organic elements and differentially growing structures.

The exhibition combines physical materiality with soft surrealism to create a space where forms emerge gradually and thoughts follow branching paths and everything connects. My work spans canvas and dimensional forms, tracing the flows of growth and transformation.

The majority of my creations derive from my interest in biomorphic growth patterns which include fungal colonies, branching corals and other colonial organisms, and imaginings of alien flora. I use various materials and mediums to express my fascination with those rhythms.

These materials serve as emotional carriers for states like stickiness, tension, and overflow — sensations that might also surface in those who pause to touch them with their eyes. What if emotion didn’t speak — but oozed?

What if your thoughts did not follow sequential order but branched and sporulated like a coral fungus?

In my work, I use 3D modelling, painting, VR-sculpting, physical volume painting and layered canvas techniques to study how bioforms grow, branch, communicate and how fluid identities develop through osmosis, diffusion and exchange rather than boundaries.

My practice grows out of a mind attuned to pattern, texture, and irregular rhythms — ways of sensing and thinking that neurodivergence makes possible. The non-linear nature of neurodivergence isn’t a theme — it’s the scaffolding. It shapes how my work branches, loops, and pulses.

The exhibition presents a state rather than a physical location. It welcomes visitors to experience an encounter with soft, strange, and tactile forms of thought while suggesting that thought exists as a fluid wet process of continuous transformation and growth.